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nisula-pepeshapissinikan

PEPESHAPISSINIKAN

Pepeshapissinikan, also referred to as Nisula, is an open-air site of rock paintings that date back more than 2000 years. The site is an integral part of ancestral traditions specific to Algonquian-speaking Indigenous cultural groups scattered across the Canadian Shield. In plain sight on a cliff along one of the lakes in the Upper North Shore region of the St. Lawrence River, Pepeshapissinikan is an important heritage site for the local Innu people.

Environment & History

In the Heart of the Boreal Forest

The Pepeshapissinikan site is located on a high cliff wall alongside a remote lake. Teeming with fish such as trout and pike, this lake is mainly surrounded by coniferous trees (balsam fir, spruce, juniper and Eastern white cedar), with a few species of deciduous trees like white birch. Sphagnum moss and lichen cover the surrounding ground. In the summer, small fruits such as blueberries abound. The boreal forest is home to many animal species, including the black bear, moose, beaver, fox, wolf, porcupine and hare.

The climate is temperate with an average of 15°C. But from summer to winter, temperatures vary greatly by more or less 50°C. Precipitation can reach up to 1000 mm/year.

Place Name

Pepeshapissinikan is an Innu word that means “the rock formation with paintings.” Its origin is an age-old word: Pepéchapissinagan. It was recorded as early as 1731 on the maps of Father Laure, a Jesuit missionary.

Nisula
This is the family name of the person who first discovered the Pepeshapissinikan archaeological site: Anne Nisula
Pepeshapissinikan
This word in the Innu language refers to a rock marked with paintings
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Picture of an Innu-Naskapi coat worn for annual great caribou hunts. This ritual clothing made with caribou skin is adorned with linear and double-curve motifs.
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Picture of a prospector’s tent used by two Innu families on their way north to their hunting grounds
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Picture of a teueikan, the Innu’s traditional drum. Hunters use this particular ritual object to contact the “Master of Animals.”
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Photographie de M<sup>me</sup> Charles Fontaine plumant son huard, sur le bord d'un lac
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Picture of a deer antler sculpture in the round representing a snake. It was made by Thomas Siméon, a well-known craftsman from Mashteuiatsh, in Quebec.
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Picture of a marten skin medicine bag from the Great Lakes region. It may be the same type of bag held by one of the Pepeshapissinikan figures.
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Innu trappers in their canvas canoe heading for their hunting grounds
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Picture of a frontal pad made with three layers of thick birch bark. The straps used by the Innu to carry their loads on their backs rested on such pads.
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Picture of a hunter called Jos Color carrying a very heavy load on his back and his rifle in the right hand
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Picture of a tobacco pouch made with dehaired sealskin and adorned with glass beads, 1920
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Picture of Pessamit Innu Raphael Bacon, Ignace Picard and his son Pierre. The three men are helping each other to carry loads with straps.
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Picture of an Innu woman’s cap. Made with several black and red woolen pieces, the cap features rows of glass beadwork in different colours: yellow, red, blue, pink, green, and pale blue at the bottom. Two black balls of wool are hanging on each side.
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Picture of Sylvestre Kapu with his daughter and wife Hélène carrying several loads on their way to the Pessamit Innu’s hunting grounds
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Picture of a pair of caribou moccasins decorated with floral patterns
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Picture of Pessamit Innu Joseph Benoît making a miniature canoe
  • The Innu, Nomadism and the Animal World

    The Innu obtained most of their traditional staple foods from hunting, fishing and gathering. They were constantly on the move, seeking resources where available within their territory. This nation was divided into several bands often associated with drainage basins. During the summer, the Innu gathered on the coastline or the banks of the main lakes and waterways to harvest Nature's bounties. These seasonal gatherings also provided opportunities to forge marital bonds. In the fall, the Innu left and moved inland. Hunting large game, such as caribou, was their main subsistence activity. Innu’s beliefs and rituals shaped every aspect of their day-to-day lives. Hunting conveyed the intimate relationship between humans and the animal world. Each animal species was under the protection and control of a higher power, a “Master of Animals.” Invisible powers visited hunters mostly in their dreams. In times of need, the Innu also called upon some powerful beings living on the land, such as the Memekueshu at Pepeshapissinikan.

    Pessamit Innu Joseph Benoît and his five-year-old son, both with a pipe in their mouths, posing for photographer Paul Provencher
  • A Surprising Discovery

    The site was discovered accidentally in 1985 by Anne Nisula during a fishing expedition. She noted several paintings on the face of a tall rock formation that were oddly similar to those found in her native Finland.

    Photograph of the research team that includes people closely involved in the discovery and study of the site: Daniel Arsenault, Paul-Émile Dominique, Robert Dominique, Anne Nisula and Charles A. Martijn. July 1997
  • A Surprising Discovery

    The site was discovered accidentally in 1985 by Anne Nisula during a fishing expedition. She noted several paintings on the face of a tall rock formation that were oddly similar to those found in her native Finland.

    Photograph of Anne Nisula by the cliff. July 1997
  • A Surprising Discovery

    The site was discovered accidentally in 1985 by Anne Nisula during a fishing expedition. She noted several paintings on the face of a tall rock formation that were oddly similar to those found in her native Finland.

    Photograph of Charles A. Martijn and Marcel Dominique in a canoe, near the Pepeshapissinikan cliff. July 1997
  • >
  • A Surprising Discovery

    The site was discovered accidentally in 1985 by Anne Nisula during a fishing expedition. She noted several paintings on the face of a tall rock formation that were oddly similar to those found in her native Finland.

    Daniel Arsenault by the cliff. July 1997
Titre : Carte du domaine du roy en Canada, 1731 / par le père Laure, jésuite missionnaire
Photo: Bibliothèque nationale de France, Department of Maps and Plans, CPL GE DD-2987 (8666 B)

The places mapped by the Father Laure

Father Pierre-Michel Laure was the first to indicate the site’s Innu name on the maps of the Domaine du roy that he drafted in the northeastern part of New France, between 1731 and 1733. Father Laure also added the French translation of the place name “We can see naturally painted figures in the rock” on the maps.

The Pepeshapissinikan Cliff

Like many other sites across the Canadian Shield, Pepeshapissinikan is an open-air rock art site on the exposed face of a cliff beside a body of water. A monochromatic scene painted in red covers more than 14 m2 of the rock surface. Divided into four panels and created in several stages, the artwork illustrates various figures surrounded by several more or less complex linear motifs. The marbled texture and crevices of the rock clearly contribute to the overall imagery of the scene. The motifs and their meanings still elude us.

The Cliff is 42 Meters
The Cliff

Various Characters and Other Rock Art Paintings

Memekueshu

This singular figure painted at the very centre of the rock art scene is likely a Memekueshu. Depicted with a long, asexual body with large feet and a triangular head, it appears to be walking towards a crevice to enter the rock where it dwells. According to Innu oral tradition, Memekueshu has a slender head to easily penetrate crevices in the rock. According to Algonquian beliefs, Memekueshu sometimes mingles with humans to transmit medicinal knowledge to them. However, this creature also likes to play tricks on humans before fleeing in a stone canoe! Memekueshuat are often described as small hairy beings. Elders also say that some rock art was painted by Memekueshuat with their own blood.

Inverted Figure

In this scene, an inverted anthropomorphic figure (head down) was depicted above the Memekueshu. This representation may be interpreted as a deceased person, a person diving in the water after an overly prolonged vision quest, a spirit entering the rock through a crevice or a medicine man (a healer, diviner and interceder between humans and spirits) penetrating the rock to receive Memekueshuat’s medicines and teachings. An inverted figure may also represent the act of flying.

Figures with Horns

The spiritual dimension of these images is highlighted by two figures with horns. In Algonquian beliefs, horns represent spiritual power. A figure with horns may be identified as a “Manitou,” a great spirit. Algonquian peoples called upon these powerful entities for help. This figure may also be a medicine man. The figure with horns appears to hold in its left hand a cross-shaped object. Based on Algonquian imagery, it may represent a rattle, a drumstick or a medicine rite object. Figures with horns are featured on many rock art sites across the Canadian Shield, from Quebec to Saskatchewan.

Medicine Man

This figure is carrying an oblong object in its left hand. It may represent a medicine man holding a medicine bag. Medicine bags were made with otter, marten, muskrat or bird skin. They held plants, minerals, stones and animal parts like bones that were used to perform healing rites or ensure successful hunts. Medicine men may have received some of the objects from Manitous.

Tally Marks

On the bottom right of Panel 2 is a series of parallel vertical lines. Sometimes painted oblique, they are frequently found in Quebec and Ontario rock art. They are believed to represent a tally system. The vertical lines may also represent a canoe crew. However, such is not the case at Pepeshapissinikan because there are no images of watercrafts (usually represented by a slightly curved horizontal line under vertical streaks).

Zoomorphic Figure (Snake)

An undulating motif shown on the lower left section of Panel 2 alludes to a snake. This motif appears at several rock art sites and is generally related with the Underworld. The most important being of this world is Mishipeshu, a powerful Manitou feared by all because of the waves and whirlpools that it causes on lakes. Mishipeshu and snakes are the enemies of Thunderbirds that rule the Upperworld.

Technique and Conservation

Site Preservation and Protection

This heritage site is constantly exposed to changing climatic conditions. Preventative conservation studies are carried out on a regular basis to better preserve it. Through careful and systematic observation of the rock, minor cleaning work can be carried out on the painted surfaces to remove lichen growth. These measures have been implemented to protect the site from any natural or human disturbance.

Image enhanced, photo: Akufen. ©Musée de la civilisation

Scientific Studies

Pictograph Painting Technique

All the motifs were painted using hematite, a mineral substance rich in iron oxide that was crushed and mixed with water or any other binding substance (e.g., animal fat). The “artists” used their fingers, mainly their index, as the easiest tool to apply the paint.

Scientific Documentation

The scientific study of the site is based on the documentation of the material, visual and acoustic features of the site, as well as on samples taken for laboratory analysis. The interpretation of the graphic content is based on a host of relevant archeological, anthropological, ethnohistorical and artistic data.

Radiocarbon Dating

Carbon-14 dating on two samples from Panel II helped to determine that Pepeshapissinikan could be between 2000 and 2200 years old.

A Mysterious Underwater Slab of Rock...

Long ago, a chunk of rock broke loose from the lower part of Panel III and sank with its paintings to the bottom of the lake. The 1.25-ton chunk now lies under 12 metres of water. In 1992, divers were unable to see any pictographs, because the rock rests on its painted surface. This slab of rock conceals a page in the history of the site that remains unknown. It may hide images never before seen that are likely to change our understanding of the Pepeshapissinikan site and even of rock art in Quebec.

Photo: ©Daniel Arsenault, Université du Québec à Montréal

Browse Sites

Close transcript

Video: Akufen. ©Musée de la civilisation

 [A fire made of birch logs is lit at the base of a rock wall. We hear the crackling of fire and the sound of a drum
View of the cliff, looking up from its base to its top.
Grégoire Canapé lights a sacred pipe. His wife, Marcelline Blacksmith is at his side. Then Marcel Dominique joins them for the ceremony. In the foreground, on the snowy ground, ritual objects are placed on a piece of cloth. Gregory raises the pipe to the sky.
Grégoire sings to the rhythm of his drum. Marcelline and Marcel are at his side.
Wide shot of the ceremony that is taking place at the foot of the cliff
Close-up of the three people. Marcelline dances and holds in her hands a small bark container.
Close-up of Marcelline. Her head is leaning over the pipe and she strokes its stem with her hand.
Close-up of Marcel who, in turn, smokes the sacred pipe.
Pipe in hand, Grégoire utters words while gazing towards the sky.
The three participants throw tobacco and other offerings in the fire.
The video ends with an aerial view of the site.]

Video: Akufen. ©Musée de la civilisation

[Static shot of Robert Dominique, Grégoire Canapé and Marcel Dominique sitting in a tent. The floor is covered with a carpet of fir branches, the stove is lit and the host, Grégoire Canapé, smokes a pipe. The three men take turns speaking]
Hi everyone. [The man on the left introduces himself] I’m Robert Uapenuss Dominique. I’ve been living here in Pessamit for a very long time. I would like you to introduce yourself too and tell us where you come from. [The man in the center introduces himself]  I’m called Pepameshkenueiken. The bear is my totem; I am a member of the Medewin. That is how I pray. Hello to my relatives, my brother Robert, my nephew Grégoire. [The man on the right introduces himself]  My name is Marcel Uapenuss Dominique, like my brother.

[Robert Dominique shows some sheets of paper to the other two men] Now what I will show you, it is the place where we went. [Robert Dominique speaks] I too wanted to understand what the site was, how it was done, and how come they are there. [Grégoire Canapé speaks] The first time that I heard this word is when you uttered it. I heard you say Pepeshapissinikan; I remember it. This word has stayed with me ever since. So I tried to understand what it means. I went to see my father and asked him what the word Pepeshapissinikan meant. He told me: “I think that it means painting on stone and with the hands. That is what I understand.” I was happy to know. And this is why I was eager to go see the site too. It was the beginning of a change in my life, a time when I really became interested in our culture, in our Innu culture. I got interested in our stories from the past. Then when people returned to the site, I was there; they invited me the following summer. Once on site, we followed the river, you know how it flows. At a narrow passage, there was a great lake; and, as we passed by in a motorized canoe, I felt something. I was eager to arrive and see those Pepeshapissinikan. [Image of an old map. Its details are revealed by a camera moving from bottom to top]

[Robert Dominique speaks] I felt great pride and about this missionary, Father Laure, in the 1700s… Here is his map, that’s the right one, right? In the 1700s, he was already calling it Pepeshapissinikan. [Still frame of the "Pepeshapissinagan" place name] This document is very old. When we look carefully at these paintings, we see human forms. [Static shot of the three men. Grégoire speaks] There are several things that we could talk about. Who do we see in the paintings? [Still image of a human-shaped figure with a triangular head and open arms] There was even talk about the Memekueshuat. [Robert Dominique] And how about you Marcel, what do you understand from it? [Shot of the three men. Marcel Dominique speaks] These paintings would have been made by our ancestors, as Grégoire pointed out. The first time that I went there, I didn’t know what I was looking for, what I would do there. There must have been something (…) powerful, I would say, or our ancestors were present.

[Grégoire Canapé] Later, we went to the site regularly. I went there once with my wife, after I invited her to come and see this place deserving full respect. She takes great pride in it too. And she too felt something. We prayed. Then my wife spoke; she addressed the mountain, telling it: “We will defend you, nothing will be done on this site if not properly done, so as not to disturb you, so nobody hurts you.” [Aerial images of Pepeshapissinikan in winter, the lake at the foot of the cliff is frozen and covered with snow] It’s as if one would have laid their hands on the shoulders of a scared child. [Static shot of Grégoire, his wife Marcelline and Marcel, all standing in winter clothes at the foot of the Pepeshapissinikan cliff] Every time that we go to the site, we perform rituals. Because those people were our ancestors. [Static shot of the three men in the tent] The White people want to defend this site. They look at the configuration of the rock art site and say that it would be good to protect this site, so that it doesn’t fall into ruin, so that it doesn’t deteriorate. And you, they tell me, what do you think? This Pepeshapissinikan, I tell them, I don’t know how many thousands of years it has survived. Why should we place something over it to protect it? The only way to protect it is to respect it. We should not install anything over it. Because they wanted to apply some sort of paint over it, so that the images would not deteriorate. That is what they wanted. But I told them no. I do not want them to do that. Because this is really very sacred. I told them in French: “It is sacred.” That is what I told them so they would understand.

[Robert Dominique] If the site was meant to disappear, it would have done so by now. After all, it’s been there for 2000 years. It would have already been destroyed if it was meant to be. [The three men look at rock art images on paper and continue talking] When we think about it, we look at our own history. And the people represented here, [Marcel Dominique] would be Memekueshuat, it seems. [Still image of a human-shaped figure with a triangular head and open arms. Robert Dominique speaks] They appear to have a flat face. [Shot of the three men sitting in a tent] It’s like in the legends, if you listen to them closely. Because a legend holds a lot of truth. This has not been done in vain. [Grégoire lights his pipe] It’s like the animals, the birds; we talk about them often…