Useful links
Mi’kmaq Petroglyphs George Creed Tracings Collection
http://novastory.ca/novastories/petroglyphs/index.html
The American Rock Art Research Association
https://arara.wildapricot.org/
Parque Nacional Serra da Capivara
http://www.fumdham.org.br/?lang=en
TARA. Trust for African Rock Art
Kakadu National Park – Rock Art
https://parksaustralia.gov.au/kakadu/do/rock-art/
Arabian Rock Art Heritage
Il y a 36 000 ans. La Grotte Chauvet-Pont d’Arc, Ardèche
http://archeologie.culture.fr/chauvet/fr
Il y a 19 000 ans. Lascaux
http://archeologie.culture.fr/lascaux/fr
Museo Nacional y Centro de Investigación de Altamira
http://www.mecd.gob.es/mnaltamira/en/home.html
Underslös Museum -Tanum Rock Art Research Centre
http://www.rockartscandinavia.com/frontpage.php
The Rock Art of Alta – Alta Museum
https://www.altamuseum.no/en/the-rock-art-of-alta
ICOMOS. Conseil international des monuments et sites. Art rupestre
Further reading
Arnett, Chris
2015 Petroglyphs and place in Huupachesath and Snuneymuxw territories, Vancouver Island, British Columbia. In Botschaften in Stein: Zum Gedenken an Dietrich Evers, edited by Hans-Jurgen Beier and Hans-Peter Hinze, pp.169-179. Beitrage zur Ur-und Fruhgeschichte Mitteleuropas 78.
Arnett, Chris
2016 Rock Art of Nlaka’pamux: Indigenous Theory and Practice on the British Columbia Plateau. PhD thesis, Department of Anthropology, University of British Columbia, Vancouver. Available at https://open.library.ubc.ca/cIRcle/collections/ubctheses/24/items/1.0300422
Arsenault, Daniel
1998 Esquisse du paysage sacré algonquien: Une étude contextuelle des sites rupestres du Boulier canadien. Recherches amérindiennes au Québec 28(2):19-39.
Arsenault, Daniel
2004 Analyzing and dating the Nisula Site, Quebec. In The Rock-Art of Eastern North America: Capturing Images and Insights, edited by C. Diaz-Granados and J. R. Duncan, pp. 344-360. University of Alabama Press, Tuscaloosa.
Arsenault, Daniel
2013 The aesthetic power of ancient Dorset images at Qajartalik, a unique petroglyph site in the Canadian Arctic. Boletín del Museo Chileno de Arte Precolombino 18(2):19-32.
Arsenault, Daniel, Louis Gagnon, Charles A. Martijn and Alan Watchman
1995 Le projet Nisula : recherche pluridisciplinaire autour d’un site à pictogrammes (DeEh-1) en Haute-Côte-Nord. In Archéologies québécoises, edited by A.-M. Balac, C. Chapdelaine, N. Clermont and P. Desjardins, pp. 17-57. Paléo-Québec, No. 23. Recherches Amérindiennes au Québec, Montréal:
Arsenault, Daniel and Dagmara Zawadzka
2014 Spiritual places: Canadian Shield rock art within its sacred landscape. In Rock Art and Sacred Landscapes, edited by D. L. Gillette, M. Greer, M. H. Hayward and W. B. Murray, pp. 117-137. One World Archaeology, Vol. 8. Springer, London and New York.
Aubert, Maxime, Daniel Arsenault, Alan Watchman and Louis Gagnon
2004 L’art rupestre du Bouclier canadien : potentiel archéométrique. Canadian Journal of Archaeology 28(1):51-74.
Bonneau, A., J. Moyle, K. Dufourmentelle, D. Arsenault, C. Dagneau and M. Lamothe
2017 A pigment characterization approach to selection of dating methods and interpretation of rock art: The case of the Mikinak Site, Lake Wapizagonke, Quebec, Canada. Archaeometry 59(5):834-851.
Brink, Jack
2007 Rock art conservation research at Writing-on-Stone Provincial Park, Alberta. Revista de Arqueología Americana 25:55-99.
Brink, Jack
2011 Disappearing dreams at the Zephyr Creek rock art site, Alberta. Canadian Journal of Archaeology 35(2):193-231.
Conway, Thor
1993 Painted Dreams. Northwood Press, Minocqua, WI.
Conway, Thor and Julie Conway
1990 Spirits on Stone: The Agawa Pictographs. Heritage Discoveries Books, San Luis Obispo, CA.
Dewdney, Selwyn and Kenneth E. Kidd
1967 Indian Rock Paintings of the Great Lakes. 2nd ed. University of Toronto Press, Toronto.
Hill, Beth and Ray Hill
1974 Indian Petroglyphs of the Pacific Northwest. Hancock House, Saanichton.
Jones, Tim E. H.
2006 The Aboriginal Rock Paintings of the Churchill River. Reprinted. Saskatchewan Archaeological Society, Saskatoon. Published originally 1981, Saskatchewan Department of Culture and Youth.
Keyser, James D.
2017 From Iconic to Narrative: A DStretch Discovery at Writing-On-Stone. Canadian Journal of Archaeology 41(1):30-45.
Keyser, James D., David A. Kaiser and Jack Brink
2014 Red is the colour of blood: Polychrome rock art at Rattlesnake Cave, Alberta, Canada. Canadian Journal of Archaeology 38(1):27-75.
Keyser, James D. and Klassen, Michael A.
2001 Plains Indian Rock Art. University of Washington Press, Seattle.
Klassen, Michael A.
1998 Icon and narrative in Transition: Contact Period rock art at Writing-On-Stone, southern Alberta, Canada. In The Archaeology of Rock Art, edited by C. Chippendale and P. S. C. Taçon, pp. 42-72. Cambridge University Press, Cambridge.
Klassen, Michael A., James D. Keyser and Lawrence L. Loendorf
2000 Bird Rattle’s petroglyphs at Writing-On-Stone: Continuity in the Biographic rock art tradition. Plains Anthropologist 45(172):189-201.
Lemaitre, Serge
2013 Kekeewin ou Kekeenowin. Les peintures rupestres de l’est du Bouclier canadien. Paléo-Québec, No. 33. Recherches amérindiennes au Québec, Montréal.
Lundy, Doris
1974 Rock Art of the Northwest Coast. Master’s thesis, Department of Archaeology, Simon Fraser University, Burnaby. Available at http://summit.sfu.ca/item/4415
Molyneaux, Brian L.
1983 The study of prehistoric sacred places: Evidence from Lower Manitou Lake. Royal Ontario Museum Archaeology Paper 2, pp. 1-7.
Molyneaux, Brian L.
1984 Floating islands: The Micmac vision of sailing ships. Rotunda. Magazine of the Royal Ontario Museum, 18(1):6-11.
Molyneaux, Brian L.
1989 Concepts of humans and animals in Post-Contact Micmac rock art. In Animals into Art, edited by H. Morphy, pp. 193-214. One World Archaeology, Vol. 7. Unwin Hyman, Ltd., London.
Norder, John W.
2012 Landscapes of memory and presence in the Canadian Shield. In Enduring Motives: The Archaeology of Tradition and Religion in Native America, edited by L. Sundstrom and W. R. DeBoer, pp. 235-250. University of Alabama Press, Tuscaloosa.
Norder, John W. and Dagmara Zawadzka
2016 What the Places Teach Us: Challenges for cultural tourism and Indigenous stewardship of rock art sites in the North American Midcontinent. In Rock Art in the Contemporary World: Symbols, meaning and significance, edited by L.M. Brady and P.S.C. Taçon, pp. 59-81. University Press of Colorado, Boulder.
Rajnovich, Grace
1994 Reading Rock Art: Interpreting the Indian Rock Paintings of the Canadian Shield. Natural Heritage/Natural History Inc., Toronto.
Steinbring, Jack
1998 Aboriginal rock painting sites in Manitoba. Manitoba Archaeological Journal, 8(1&2).
Taçon, Paul S. C.
1993 Stylistic relationship between the Wakeham Bay petroglyphs of the Canadian Arctic and Dorset portable art. In Rock Art Studies: The Post-Stylistic Era or Where do we go from here?, edited by M. Lorblanchet and P. Bahn, pp. 151-162. Oxbow Monograph No. 35. Oxbow Books, Oxford.
Tassé, Gilles and Selwyn Dewdney
1977 Relevés et travaux récents sur l’art rupestre amérindien. Laboratoire d’Archéologie de l’Université du Québec à Montréal, Montréal.
Vastokas, Joan M. and Romas K. Vastokas
1973 Sacred Art of the Algonkians: A Study of the Peterborough Petroglyphs. Mansard Press, Peterborough.
Wheeler, C. J.
1975 The Oxford House pictograph: The May May Quah Sao are alive and well at Oxford House. In Proceedings of the Second Congress, Canadian Ethnological Society edited by J. Freedman and J. H. Barkow, pp. 701-714. Canadian Ethnology Service Paper 28(2), Mercury Series. National Museum of Man, Ottawa.
York, Annie, Richard Daly and Chris Arnett
1993 They Write Their Dreams on The Rocks Forever: Rock Writings of the Stein River Valley, British Columbia. Talonbook, Vancouver.
Zawadzka, Dagmara
2013 Beyond the sacred: Temagami area rock art and Indigenous routes. Ontario Archaeology (93):159-199.
Zawadzka, Dagmara
2016 Recent rock art research in Canada. In Rock Art: News of the World 5, edited by P. Bahn, N. Franklin, M. Strecker and K. Devlet, pp. 215-224. Archaeopress, Oxford.