{"id":440,"date":"2016-11-08T11:08:07","date_gmt":"2016-11-08T16:08:07","guid":{"rendered":"http:\/\/imagesdanslapierre.mcq.org\/parcourir\/kakawin\/"},"modified":"2019-01-17T15:37:52","modified_gmt":"2019-01-17T20:37:52","slug":"kakawin","status":"publish","type":"page","link":"https:\/\/imagesdanslapierre.mcq.org\/en\/explore\/kakawin\/","title":{"rendered":"K&#8217;aka&#8217;win"},"content":{"rendered":"<div class=\"title-banner\">\n<div class=\"title-banner-content video\">\n<div class=\"title-banner\">\n<div class=\"title-banner-content video\">\n<div>\n<p>K&#8217;aka&#8217;win, also known as the Sproat Lake petroglyphs, is an open-air rock art site carved directly into a vertical rock wall on the bank of Sproat Lake. The lake is located in the namesake provincial park nestled in the Alberni Valley, in the heart of Vancouver Island. This rock art site was among the first ones to be studied in Canada at the end of the 19th century. The site is situated in Nuu-chah-nulth (Nootka) territory. This is the land of the Hupacasath First Nation, where a language of the Wakashan family is spoken.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"container content noPadding\">\n<div class=\"clearfix\">\n<div id=\"Environnement\" class=\"kakawin-intro\">\n<h2>Environment and History<\/h2>\n<h4>Along the Sea and Mountains<\/h4>\n<p>Vancouver Island Ranges stretch over nearly the entire length of the island, with some peaks rising 2000 metres (6000 feet) above sea level. The island\u2019s coastlines are fragmented by sounds, bays and coves.<\/p>\n<p>The Alberni Valley is enclosed by mountains and is home to exceptionally rich animal and plant life. The valley is covered with lush forests thick with species such as Western red cedar, Douglas fir, Western hemlock, and, on higher grounds, yellow cypress. A wide variety of berries, shrubs and ferns, including the salmonberry, also thrive in the valley. The region is teeming with fish, including five different species of Pacific salmon, along with cutthroat trout, rainbow trout and other species. Among the mammals roaming the island are the Roosevelt elk, black bear, wolf and cougar. Some of the birds gracing the valley skies include the great blue heron, peregrine falcon and some rare species such as the Queen Charlotte Goshawk. Many marine mammals are sighted along the west coast of the island: sea lions, grey whales, humpback whales and killer whales (orcas).<\/p>\n<p>The oceanic climate of Vancouver Island is humid and warm. Precipitation is particularly abundant in the fall and winter, mainly in the form of rain. Winters are mild with temperatures rarely dropping below 0\u030a C, while summers are cool with average 20\u030a C temperatures.<\/p>\n<\/div>\n<div class=\"clearfix\">\n<div class=\"section || col-mb-12 col-tb-6\"><\/div>\n<div class=\"col-mb-12 col-tb-6\">\n<h4>\u00c9paulard et toponymie du lieu<\/h4>\n<p>In the Nuu-chah-nulth (Nootka) culture, the killer whale is closely related to the wolf. These marine mammals hunt in packs with the same hunting skills used by wolves. It is a Nuu-chah-nulth (Nootka) belief that the killer whale has the ability to assume, once on land, the form of a wolf.<\/p>\n<dl class=\"kakawin-definition\">\n<dt>K\u2019AKA\u2019WIN<\/dt>\n<dd>K&#8217;aka&#8217;win is a word in the Nuu\u010daan\u0313u\u026b (Nuu-chah-nulth) language that means \u201csomething stuck on its back.\u201d This is the Indigenous word for the killer whale in reference to its dorsal fin. Another place name related to this site is qua queiyt\u2019q kaka\u2019win oo t!un A-xa\u2019maqis, which means \u201ckiller whale rushes onto the beach.\u201d This word actually refers to a hunting technique of killer whales when they rush onto the shore to attack seals and sea lions. In the Nuu-chah-nulth (Nootka) culture, the killer whale is closely related to the wolf. These marine mammals hunt in packs with the same hunting skills used by wolves. It is a Nuu-chah-nulth (Nootka) belief that the killer whale has the ability to assume, once on land, the form of a wolf.<\/dd>\n<\/dl>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"video kakawin__video-banner roundVid\">\n<figure>\n<div class=\"frame\"><\/div><figcaption class=\"container content textImage\">\n<div class=\"left || col-mb-12\">\n<div class=\"col-mb-12 col-tb-6 text\">\n<h2>Gilbert Malcom Sproat<br \/>\n(1834-1913)<\/h2>\n<p>Sproat Lake was named after Gilbert Malcolm Sproat. He was a business man, Vancouver Island Justice of the Peace and Indian Reserve Commissioner sympathetic to Indigenous land right claims. Sproat was also an amateur ethnographer, who published in 1868 a book on the Nuu-chah-nulth (Nootka) of the Alberni region entitled Scenes and Studies of Savage Life. The Sproat Lake site, or K\u2019aka\u2019win, is mentioned for the first time in this book.<\/p>\n<\/div>\n<div class=\"col-mb-12 col-tb-6 image\"><\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<div class=\"container content\">\n<div class=\"boxed sliderBoxed first clearfix\">\n<ul class=\"slider swipe secondSwipe\" data-id=\"10\">\n<li class=\"active\" data-src=\"http:\/\/imagesdanslapierre.mcq.org\/wp-content\/themes\/mcq\/img\/kakawin\/affiliationCulturel\/high\/1.jpg\" data-height=\"1368\" data-width=\"1920\" data-author=\"Photo: John Lehmann\/The Globe and Mail \" data-caption=\"The Willie family Potlatch, who are members of the Kwakwaka'wakw First Nation, in Alert Bay on Cormorant Island, B.C, March 7, 2015. During this event, a ceremony was held for the new Sisiutl symbol that Greenpeace has actually used since 1971.\">\n<div class=\"col-mb-12 col-tb-5\">\n<h4>Les Nuu-chah-nulth (Nootka) de l\u2019\u00eele de Vancouver<\/h4>\n<p>The Nuu-chah-nulth (Nootka) of Vancouver Island were traditionally hunter-fisher-gatherers and they lived in villages comprised of large multi-family wooden houses. Marine resources such as salmon were vital to their subsistence. Whales and their hunt were central to the Nuu-chah-nulth (Nootka) culture, as echoed in their songs, stories and spirituality. Only chiefs could lead whale hunts that were always preceded by rituals. The significance of the marine world in the traditional Nuu-chah-nulth (Nootka) culture resonates in K&#8217;aka&#8217;win rock art. However, the marine creatures depicted, hybrid in appearance, remain hard to identify with any degree of precision. The rock where the petroglyphs are carved is also known as the \u201chouse of Kwatyat,\u201d the Nuu-chah-nulth\u2019s (Nootka) culture hero. Kwatyat is a Transformer. As told in oral stories, this being has the power to transform the surrounding elements. It is said that he gave living beings and landscapes the form that they have today. In Northwest Coast cultures, the Transformer is often represented as a raven. According to tradition, Kwatyat created these petroglyphs to encourage the Hupacasath to respect all Creation. The Kwatyat house rock art images also echo traditional house paintings and ceremonial curtains. These images document family histories, land titles, important spiritual events and traditional territories. This place continues to bear great significance for the people of the Hupacasath First Nation, who keep this heritage alive in a number of stories and fight for its protection.<\/p>\n<\/div>\n<p>Brandy Lauder and the Hupacasath First Nation<\/p>\n<div class=\"col-mb-12 col-tb-5\"><\/div>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div class=\"video kakawin__video-banner\" data-id=\"PvqtnQgwHOA\">\n<figure><figcaption class=\"container content\">Oral Tradition and Preservation of the Place<\/figcaption><\/figure>\n<\/div>\n<div class=\"video kakawin__video-banner techniqueVid roundVid\" data-id=\"PvqtnQgwHOA\">\n<figure>\n<div class=\"frame\"><\/div><figcaption class=\"container content textImage\">\n<div class=\"left || col-mb-12\">\n<div class=\"col-mb-12 col-tb-6 text\">\n<h2>Discovery and Interpretation of the Place<\/h2>\n<p>In 1889, the site was studied by renowned anthropologist Franz Boas, who proposed basic interpretations of the images and insights on how they were created. Since then, several researchers have studied the representations at this site, including Doris Lundy, whose insights are featured in this video.<\/p>\n<\/div>\n<\/div>\n<\/figcaption><\/figure>\n<\/div>\n<div id=\"Fresque\" class=\"container content centerText toAnchor\" data-index=\"1\">\n<h2 class=\"center\">Marine Creatures<\/h2>\n<p>Hybrid beings dominate at K&#8217;aka&#8217;win, making it more difficult to identify them. Some images have been recognized as depicting a \u201cseawolf,\u201d which is a half-wolf, half-whale creature embodying the close link between wolves and cetaceans in Northwest Coast oral traditions. Other images have been identified as \u201cLightning Snake,\u201d or Hiy\u02b9itl\u02b9iik \/ Haietlik. This creature is the manifestation of lightning and is closely linked to the Thunderbird, which uses it for whale hunting. \u201cLightning Snake\u201d is also sometimes called the harpoon, the belt or the dog of the Thunderbird. This being combines bird, wolf and fish characteristics to highlight the importance of whale hunting. Similar representations are found on objects used for hunting, such as harpoons and canoes. Since most of the creatures bear dorsal fins specific to killer whales, these images may be a different version of supernatural killer whales.<\/p>\n<\/div>\n<div class=\"container content noMargin\"><\/div>\n<div id=\"Culture\" class=\"container content materiel toAnchor\" data-index=\"2\">\n<h2 class=\"center\">Technic<\/h2>\n<h4>Incision, Abrasion and Pecking at K&#8217;aka&#8217;win<\/h4>\n<div class=\"col-mb-12\">\n<p>The K&#8217;aka&#8217;win site petroglyphs were incised, abraded and\/or pecked into the rock. Franz Boas suggested that the tips of wooden sticks were used to rub wet sand against the rock in order to create smooth depressions.<\/p>\n<\/div>\n<h4>Telltale Objects<\/h4>\n<div class=\"content clearfix row nisula__technique\">\n<figure class=\"col-mb-12 col-tb-4 roundImgList\"><figcaption class=\"col-mb-12\">\n<h5>KWAKWAKA&#8217;WAKW (KWAKIUTL) CEREMONIAL APRON, CIRCA 1860<\/h5>\n<p>Motifs of eagles and killer whales are prominent in the oral traditions of several Indigenous peoples in British Columbia, including the Nuu-chah-nulth (Nootka).<\/p>\n<\/figcaption><\/figure>\n<figure class=\"col-mb-12 col-tb-4 roundImgList\"><figcaption class=\"col-mb-12\">\n<h5>PAINTED WOOD PANELS, CIRCA 1850<\/h5>\n<p>Representations of various traditional Nuu-chah-nulth (Nootka) entities. These decorated panels were meant to be exhibited during ceremonies.<\/p>\n<\/figcaption><\/figure>\n<figure class=\"col-mb-12 col-tb-4 roundImgList\"><figcaption class=\"col-mb-12\">\n<h5>NUU-CHAH-NULTH (NOOTKA) CANOE WITH FIGURES ONBOARD, 1890<\/h5>\n<p>Scale model of a Nuu-chah-nulth (Nootka) canoe with figures onboard<\/p>\n<\/figcaption><\/figure>\n<figure class=\"col-mb-12 col-tb-4 roundImgList\"><figcaption class=\"col-mb-12\">\n<h5>CHAPEAU D&#8217;UN BALEINIER EN CHEF, 18<sup>E<\/sup>\u00a0SI\u00c8CLE<\/h5>\n<p>Traditional hat worn by a Nuu-chah-nulth (Nootka) leade<\/p>\n<\/figcaption><\/figure>\n<figure class=\"col-mb-12 col-tb-4 roundImgList\">\n<div class=\"col-mb-12 roundImg\"><\/div><figcaption class=\"col-mb-12\">\n<h5>LIGHTNING SNAKE MASK, CIRCA 1860-1880<\/h5>\n<p>Sculpted and painted Lightning Snake mask Photograph by Richard Walker<\/p>\n<\/figcaption><\/figure>\n<figure class=\"col-mb-12 col-tb-4 roundImgList\"><figcaption class=\"col-mb-12\">\n<h5>THUNDERBIRD AND KILLER WHALE<\/h5>\n<p>Artwork by artist Joe Wilson depicting the story of the Thunderbird that takes the killer whale away to eat it<\/p>\n<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<div class=\"video kakawin__video-banner\" data-id=\"PvqtnQgwHOA\">\n<figure>\n<div class=\"frame\">\u00a0<span style=\"font-size: 29px; font-weight: bold;\">Reclaiming and Preserving the Culture<\/span><\/div><figcaption class=\"container content\">Aurora Skala, Researcher in British Columbia<\/figcaption><\/figure>\n<\/div>\n<div id=\"Technique\" class=\"container content toAnchor representation\" data-index=\"3\">\n<h2 class=\"center\">Conserving and Protecting the Kwatyat House<\/h2>\n<div class=\"content clearfix row nisula__technique\">\n<figure class=\"col-mb-12 col-tb-4 roundImgList\"><figcaption class=\"col-mb-12\">A bulwark of huge rocks was set up at the foot of the carved rock to guard against rising lake waters, high waves and curious visitors eager to walk up to the petroglyphs during the dry season.<\/figcaption><\/figure>\n<figure class=\"col-mb-12 col-tb-4 roundImgList\"><figcaption class=\"col-mb-12\">The rock surface is sometimes washed to expose the carvings to open air and control the propagation of lichen.<\/figcaption><\/figure>\n<figure class=\"col-mb-12 col-tb-4 roundImgList\"><figcaption class=\"col-mb-12\">A floating platform was placed at a safe distance from the rock art panel for visitors wishing to see the petroglyphs.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"Serpent\" class=\"kakawin__ice content toAnchor\" data-index=\"4\">\n<div class=\"bottom\">\n<div id=\"fish\" class=\"lazy-bg\" data-highres=\"http:\/\/imagesdanslapierre.mcq.org\/wp-content\/themes\/mcq\/img\/kakawin\/footer.jpg\"><\/div>\n<div class=\"text\">\n<h2 class=\"center\">Killer Whale, the Master of the Seas<\/h2>\n<p>Killer whales, or orcas, are beings central to the stories and beliefs of Northwest Coast First Peoples. For them, these marine mammals are clan ancestors, the clan being the basic unit of social organization. Killer whales may also be the reincarnation of great chiefs. According to oral tradition, these creatures can assume human form when they return to their underwater dwellings. It is only when they get into their canoes to go hunting and fishing that killer whales transform and take on the form by which they are known to humans. Oral tradition also tells of a white wolf one day entering the sea to become the first killer whale. Both predators are admired for their wisdom and hunting prowess. Similarities in their colourings, hunting techniques and pack social behaviour have been highlighted. Orcas are also related to humans, because both hunt the same prey: whales.<\/p>\n<div class=\"credit\">\n<h3 class=\"center\">PICTURE OF A SCULPTED AND PAINTED KILLER WHALE, PART OF A TOTEM LOCATED AT THE THUNDERBIRD PARK IN VICTORIA, BRITISH COLUMBIA<\/h3>\n<p>Photo: Courtesy of the Royal British Columbia Museum, d-04123<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"Serpent\" class=\"kakawin__ice content toAnchor\" data-index=\"4\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>K&#8217;aka&#8217;win, also known as the Sproat Lake petroglyphs, is an open-air rock art site carved directly into a vertical rock wall on the bank of Sproat Lake. The lake is located in the namesake provincial park nestled in the Alberni Valley, in the heart of Vancouver Island. This rock art site was among the first &hellip; <a href=\"https:\/\/imagesdanslapierre.mcq.org\/en\/explore\/kakawin\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">K&#8217;aka&#8217;win<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"parent":431,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-kakawin.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-440","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>K&#039;aka&#039;win \/ Sproat Lake - Images on Stone<\/title>\n<meta name=\"description\" content=\"Carved rock with marine creatures, Sproat Lake in British Columbia\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/imagesdanslapierre.mcq.org\/en\/explore\/kakawin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"K&#039;aka&#039;win |\u00a0Images on Stone\" \/>\n<meta property=\"og:description\" content=\"K&#039;aka&#039;win, also known as the Sproat Lake petroglyphs, is an open-air rock art site carved directly into a vertical rock wall on the bank of Sproat Lake. 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